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But to steal a phrase from Cohle himself, they’d be paying attention to the wrong clues. And they’d be right, based on what we see really happened in 1995.
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Tall tales of heavy machine-gun fire, “anti-intruder” devices and convenient heroics all sound a bit ruckus-making, given that their perps were subverting parole and keeping their deeds quiet. And those scenes of Hart and Cohle completing each other’s sentences (we now know that Cohle was interviewed first, and under the misleading pretense of consultation), cutting back to the incongruous (and we can only assume authentic) course of events in that ominous swamp nearly two decades prior were terrific, and more climactic than Reggie’s emergence.Īfter all Gilbough and Papania hear, even without the benefit of seeing what we viewers are allowed to see (however reliable that really is), it’s duly hard to blame them for choking on what they’re being fed from Cohle. That’s why Cohle condescends to Maggie on the finite utility of male-female coupling one week and Hart ostensibly echoes his view to Gilbough and Papania in “The Secret Fate of Life.” It also explains how men whose methods and rationale are so oppositional can spin such a convincing single yarn about what happened back in ’95. Writer-creator Nic Pizzolatto and season-one director Cary Fukunaga are clearly operating on the same page when it comes to shifting perspectives and forcing themselves and viewers to consider whether there’s room for ideology in casework and vice versa. Whether Gilbough and Papania are merely “company men” wasting Cohle’s “fucking day,” no less deluded and self-righteous in their own way than the aforementioned drug-manufacturing kidnappers, remains to be revealed. The dead boy and catatonic girl Hart discovered in the torture chamber provided sufficient evidence of concrete wrongdoing. When the latter spouted off some heathen assurances of black stars rising (unrelated to Under the Dome’s falling pink stars, no doubt), Rust impatiently barked, “What is that, Nietzsche? Shut the fuck up.” (See the line that got cut from Ledoux’s ramblings here.) Only Cohle didn’t seem so much convinced of Reggie and Dewall’s guilt as insulted by the Ledoux duo’s inelegance. Cohle himself displayed similar prejudice against Reggie’s brother Dewall (a dead ringer for scruffy character actor Mark Boone Junior) and wannabe guru Reggie back in ’95. Flash ahead seventeen years and take a leap in investigative inference, and it’s not hard to understand how Gilbough and Papania (especially Papania) could interpret Rust’s existential filibusters as spiritual confession. Cohle’s quick thinking and clear conscience after Marty executes Reggie Ledoux makes you wonder what really happened to his daughter.
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What’s clear is that Cohle knows how to cover up a crime scene less obvious: what the mysterious longtime narc and perma-loner considers to be just cause. There’s just enough time to contemplate what any of it means in between bracing for and sustaining trauma. A narrative breath in its midsection is rounded out on either side by high tension and uncertainty. “The Secret Fate of All Life” is structured much like Cohle’s theories on humanity’s doomed circularity. Great job.When Hart hears Detectives Gilbough and Papania’s argument for Cohle as killer and surmises, “You all have given me a lot to absorb,” he could easily be speaking for us in response to a dense and exciting episode. No elements of the original were used aside from the written lyrics. You have an amazing voice! too bad other your tracks are not like this one, imho you are wasting your talent with that "dubstep stuff" Comment by Réal Cardinal ( Comaduster / Underfelt Thank you! It's actually a cover of the song. Holy shit, this is awesome! Comment by Roman Mazharov Nice to see the other side of Comaduster! You've created something very moving and personal here, and we love it. Great sound.good work Comment by Jewelry Club
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Comment by SILICON AVATARĪnd I thought the original was full of sadness and sorrow Comment by Samra Azam KhanĬouldn't get more peaceful. I've never even seen True Detective, but I'm in love with this. I've played this like 5 times on air here in Chicago. I'm still patiently waiting for "In Solace".and I know that the wait will be totally worth it! Comment by Dejavuuu You are an amazing musician and it was cool chatting with you on FB. Where can I buy this song? Or give please Flac Comment by Destocriogen I listen to this song for 7 days wonderful Comment by Vlad Cg Sick!! Love it Comment by Aria Azarshab1048
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The original is used in the opening credits for the True Detective TV drama. Comaduster covering the song 'Far From Any Road' by The Handsome Family.